Ebook The Longest Line: Broadway's Most Singular Sensation: A Chorus Line, by Gary Stevens
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The Longest Line: Broadway's Most Singular Sensation: A Chorus Line, by Gary Stevens
Ebook The Longest Line: Broadway's Most Singular Sensation: A Chorus Line, by Gary Stevens
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From Publishers Weekly
From its opening in 1975 until the final curtain call in 1990, the musical A Chorus Line stirred audiences with its stories of aspiring Broadway dancers. This oral history combines 300 photographs (eight pages in color), memorabilia and reminiscences by 125 cast and crew members, including costume and lighting designers, musicians, press agents, understudies and stage managers. They discuss seemingly every angle?how the show affected their lives and careers, the changes in interpretation that occurred over the years, heated firings, the casting process, road tours, production problems, even drug use among cast members. Neil Simon tells how he wrote "maybe 25 or so new lines" at director Michael Bennett's request, which Bennett reportedly adapted or inserted into the original script by James Kirkwood and Nicholas Dante. All serious fans of the show will want this delightful reprise of the longest-running show in Broadway history. Copyright 1995 Reed Business Information, Inc.
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From Library Journal
Apart from several tables of production data and over 300 photographs, The Longest Line consists mainly of interview snippets with several dozen of the cast members and production staff of A Chorus Line, Broadway's longest running musical. The book is arranged in chapters on various topics such as casting, designing, selling, and marketing the show. Except for a page of notes and a glossary, there is no context or synthesis provided by the book's compilers, who have seen the show over 100 times between them. There are no direct quotations from the show's conceiver and choreographer Michael Bennett (who died in 1987), its composer (Marvin Hamlisch), or one of its lead performers (Donna McKechnie, Tony Award for Best Actress in a Musical); thus the book is weak on the show's creative aspects. Nevertheless, buried inside the trivia and the petty gripes of many of the interviewees are valuable nuggets of information and an enlightening overall impression, which theater scholars may find useful. For that reason, libraries supporting advanced research in American theater, as well as public libraries with fanatic client interest, should purchase. Libraries already holding Ken Mandelbaum's superior A Chorus Line and the Musicals of Michael Bennett (LJ 6/15/89. o.p.) can pass on this one.?Rob Melton, Univ. of Kansas Libs., LawrenceCopyright 1995 Reed Business Information, Inc.
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Product details
Hardcover: 258 pages
Publisher: Applause Books; 1st Edition edition (February 1, 2000)
Language: English
ISBN-10: 1557832218
ISBN-13: 978-1557832214
Product Dimensions:
8.3 x 0.7 x 11.3 inches
Shipping Weight: 2.4 pounds
Average Customer Review:
3.7 out of 5 stars
4 customer reviews
Amazon Best Sellers Rank:
#1,434,086 in Books (See Top 100 in Books)
Something to keep ready to re visit any time you need to be completely caught up in something that let's you escape to for a time.
Great book. Wonderful insights into the original choices made by Michael Bennett and the original creative team. Great photos.
This book is utterly useless as a study or history of A CHORUS LINE. Look in the index and you will find fewer that a dozen references to Marvin Hamlisch in the entire volume. There is absolutely NO assessment or WEST SIDE STORY with no mention of Leonard Bernstein. Clearly, whoever put this cut-and-paste hodgepodge together must have loathed Hamlisch. They certainly have the right to personally dislike the man, but they do NOT have the right (as want-to-be historians) to neglect his contribution the show. Save your money!
Wonderful...great pics, great info!!!
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