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Inseparable: Desire Between Women in Literature, by Emma Donoghue
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Review
"Happily, Donoghue is a critic who doesn’t fear slumming in the land of potboilers... Donoghue’s adroit commentary, along with her chronologically organized bibliography, makes Inseparable necessary for scholars and enlightening and often amusing for anyone else." – The New York Times Book Review"A thorough and fascinating piece of criticism, as satisfying as her fiction" – Now (Toronto)"Meticulously, even painstakingly researched... an expert and innovative analysis... chock full of interesting information, a needed footnote to the history of Western literature." – Toronto Sun"A highly enjoyable romp through literary history that reads like good journalism rather than academic textbook... Donoghue’s great skill is that she remains totally focused on her six plots through an amazingly broad time period... It has the dizzying effect of bringing something that’s always been in our shared peripheral vision – hazy and intangible until now – sharply into focus." – Xtra (Toronto)"As readable as it is rigorous... What’s so refreshing about Inseparable is that, while it’s clearly the work of a bona fide scholar... it still manages to be both witty and entertaining. The writer is like that favorite college professor who, in her genial unstuffiness, breathes the kind of life into her subject that keeps students riveted from the first word." – Edge"A thorough, intelligent researcher... a disarming, often funny historian." – San Francisco Chronicle"Emma Donoghue’s pedigree as a literary critic, novelist, scholar, and (it should go without saying) passionate reader makes her the perfect tour guide. Equally at home with Ovid and Rita Mae Brown, she is generous with her insights, providing helpful context... Brilliant, insightful, and frequently funny, Inseparable is sure to bring new readers to the world of classic literature." – The Gay and Lesbian Book Review"Thorough, scholarly and consistently entertaining" – Booklist"Indispensable" – Library Journal
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From the Back Cover
Emma Donoghue, consummate scholar and novelist of astonishing originality, examines how desire between women in literature has been portrayed—from schoolgirls and vampires to runaway wives, from cross-dressing knights to contemporary murderesses. Donoghue excavates the long-obscured tradition of friendship between women, one that is surprisingly central to our cultural history. From Chaucer and Shakespeare, Sade, Balzac, Thomas Hardy and Radclyffe Hall to Agatha Christie, Patricia Highsmith and Sarah Waters, Inseparable is a landmark exploration of love between women in Western literature, and a highly entertaining investigation of the "unspeakable subject."
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Product details
Paperback: 273 pages
Publisher: Cleis Press (September 6, 2011)
Language: English
ISBN-10: 9781573447171
ISBN-13: 978-1573447171
ASIN: 157344717X
Product Dimensions:
6 x 0.8 x 9 inches
Shipping Weight: 13.6 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
9 customer reviews
Amazon Best Sellers Rank:
#1,001,381 in Books (See Top 100 in Books)
I loved this book, which was scholarly, witty, and incredibly engaging. In six chapters, Donaghue walks the reader through many centuries of diverse genres in Western literature, divided up into six recurring themes or motifs. I learned so much about obscure texts that I certainly wouldn't have run into on my own, and after reading this book, my own reading list for 2019 has doubled in size! Highly, highly recommend as an introduction to literature about women loving women.
Donoghue has hit the trifecta here with a literary analysis of lesbianism that is lucid, easy to understand and an indispensable resource for further reading and research."Inseparable" is broad in scope, covering over a millennium of literature, yet is admirably focused in its themes and discussion. I join others in praising the organization of the subject matter and the clear manner in which it is written. There is very little of the arcane language and abstract theorizing that mar so much literary criticism. The writing is accessible to general readers.The depth of sources that Donoghue mines for this book is amazing. The detailed notes at the end contain a treasure trove of references to hundreds of additional stories and novels, many rescued from obscurity. Not only are there hundreds of new references to lesbian texts but Donoghue has actually done some of the first translations from French to English. These sources and translations are a major public service.I'm a big fan of Donoghue's work and enjoy learning more about her, so some of the personal observations she makes add icing to the cake. How delightful to read that Donoghue `scared myself stiff' (like most of us) reading Sarah Waters' Affinity on a transatlantic flight. Or her admission that when it comes to the ongoing academic debate over essentialism v. constructionism, which "verg[es] on silliness," the premise of "Inseparable" probably marks her as an essentialist, "but I hope not a silly one."
Emma Donoghue has collected six themes which have formed the plot templates for lesbian fiction from the Renaissance onward. They are Travesties (think man dressed as woman attracting a woman, or woman dressed as man doing the same), Inseparables (romantic friendships that may be more), Rivals (a man and a woman vying for a woman's affection), Monsters (wicked women out to corrupt the innocent), Detection (lesbian motivation is the solution to a crime) and Out (coming out stories).In each of these chapters she gives example after example, summarizing plots, convincingly making the case that if these are not the only possible themes, they have been well worn ones. And it is here that the book truly comes into its own - as discovery is piled on discovery and a whole unknown byway of literary history is brilliantly uncovered. DH Lawrence rubs shoulders with Ariosto, Shakespeare, Henry James, Ovid, Balzac as well as the usual suspects (Radclyffe Hall, et al). Ms. Donoghue makes clear that she could care less about the gender of the author, focusing on the content of the story and how the variations tie to social history and changing attitudes to same sex love.One comment she makes early illustrates the insight she brings to these stories: she believes endings are overrated. Time and again societal norms control how authors tie up their story. But the more interesting, and more telling ideas come before. In this fascinating, compulsively readable book, she presents the vast panorama of what came before.
Whether the relationship is sexual or passionately platonic, the bonds between women can be unbreakable. This is a quite good (and a little exhausting) survey of the variety of women's relationships as presented in literature. It's probably a bit too academic for a general audience but a must have for women's or lesbian studies.
haven't finished yet-a little slow.
How were women's relationships depicted in plays, dramas, poetry, and novels before the 21st Century? In "Inseparable: Desire Between Women in Literature," Emma Donoghue reveals that, although rarely pointed out, authors have shown "desire between women" as accidental, mildly erotic, predatory, thoughtful, and, of course, lusty and lesbian. Both male and female authors of diverse sexual orientations have acknowledged these desires, making the attraction between women an identifiable plot point for the last 1000 years.Donoghue's well researched book defines six plot motifs and then uses a wide variety of works to demonstrate her categories. She uses well known authors (Shakespeare, Charlotte Brontë, D. H. Lawerence, and Virginia Woolf); less well read but identifiable authors (Chaucer, Ovid in translation, Wilkie Collins, and Anthony Trollope), and some obscure authors (you'll have your own list of authors to research) to round out her categories. I liked this book because it was scholarly but made its arguments with non-academic prose, but I recognize that "Inseparable" is not an easy read and, because of its breadth of knowledge, can sometimes seem to wander.Emma Donoghue was born in Ireland, educated in Ireland and England, and now lives in Canada. She is a novelist, short story writer, playwright, and literary historian. Among her many novels are the popular "Slammerkin" (which takes places in the mid-1700's), the well reviewed "The Sealed Letter" (which takes place in the 1860's), and the contemporary novel "Room," which was short-listed for the 2010 Man Booker Prize and is currently a best seller. Her historical analysis "Inseparable" was published last year before Room exploded into popular consciousness.After a short introduction, the six main chapters of "Inseparable" describe and offer examples of different types of desire between women.Chapter One, "Travesties," shows examples of cross-dressing that result in unintentional same-sex desire. When women cross-dress, she calls the effect "The Female Bridegroom" (think Yentl). When men cross dress, the result is "The Male Amazon" (think Tootsie). Because much of this chapter relies on her earliest sources, such as translations of Ovid, much of the discussion requires lengthy plot descriptions that can obscure some of the most interesting information.Chapter Two, "Inseparables," portrays the situation when two passionate friends must struggle to stay together. She begins with an eye-opening analysis of the Biblical story of Ruth. A major topic of this chapter centers on jealousies, including cases when two close women are turned into rivals and one woman allows the other to join a man in marriage.Chapter Three, "Rivals," covers the situation when both a man and a woman compete for a woman's heart. This investigation includes Choderlos de Laclos' "Dangerous Liaisons" and Henry James' "The Bostonians."Chapter Four, "Monsters," describes relationships in which a wicked woman tries to seduce and destroy an innocent woman, including sex fiends and unknown enemies. This discussion also includes ghosts and Joseph Sheridan le Fanu's "Carmilla," who turns out to be a vampire.Chapter Five, "Detection," includes examples of female detectives and cases when the discovery of a crime turns out to be a same-sex desire. The authors presented in this chapter include Agatha Christie and Sarah Waters (with whom Donoghue shares a number of interesting characteristics, as they are both British and often write heavily researched historical novels with lesbian themes).Chapter Six, "Out," outlines plots in which a woman's life is changed when she realizes that she loves her own sex. Unlike some of the earlier chapters, most of these stories are (out of historical necessity) modern. This chapter includes enlightening discussions of Lillian Hellman's "The Children's Hour" and Patricia Highsmith's "The Price of Salt."Each chapter includes several interesting illustrations, taken from books and book jackets, that add to the textual examples and offer pleasant fuel to keep the academic tone at bay.For general readers, I highly recommend Donoghue's historical lesbian-themed novels "Slammerkin" and "The Sealed Letter," as well as her imaginative new novel "Room." For readers looking for an interesting but slightly academic history of women's desires in literature, "Inseparable" offers a clear view to which you can add your own examples. After you've read it, you'll pull "Inseparable" off the shelf, either physically or mentally, to identify the previously unrecognized varieties of women's relationships and passions that continue to appear in novels, movies, and TV shows today. (This review originally appeared on the Lambda Literary site.)
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